Our metabolism forgot us
Performer 1: I don't remember what I ate as last thing
Performer 2: I don't know where is my last tooth
Performer 3: I can't track my last breath
Performer 1: Counting!!
Performer 2: Consuming!!
Performer 3: Consisting!!
All together: Co ----------------------- o -------------------- w !!!
Performer 2: Cows are heterotrophs, consumers in our ecosystem. There are currently approximately 1.3 to 1.5 billion cows grazing, sleeping, and chewing their cud at any given time on planet Earth. These 1,300 pound animals eat a lot. Much like humans, when they eat, gas builds up inside of their guts and has to be expelled.
Performer 1: Rapid production of co2!
Performer 3: This mountain is the technology, absorbing the gas from the tourists.
All together: Hu ----- ma -----------------------------------an!!!!!
Performer 3: We don't seem to remember what we have digested. and what we are made out of.
Performer 1: Slow cancelation of human!
Performer 2: Here, the joys of consumption remain ambivalent, pleasure eating itself.
Performer 1: There’s a cruelty we cannot handle and a generosity we cannot begin to digest.
Performer 3: This conflicted feelings stay in my belly, our metabolism forgot us.
Our Metabolism forgot us
What happens when our old anatomy meets new technology, our body that is constant moves of creation and consumption? Due to those inevitable services and automatic performances, can we understand technology and its promises in parallel to our own metabolism? There is no other language that can convey this rather than pointing right here and now, through dealing with material presence and following its movement in space.
In my sculpture, drawing is an action to find the directions and dimensions between things -- To make abstract conjunctions between the temporalities until the moment of re-evaluation arrives in the future. Sculpture is a reserved intelligence for the void that language cannot fill.
Our metabolism forgot us
Performer 1: I don't remember what I ate as last thing
Performer 2: I don't know where is my last tooth
Performer 3: I can't track my last breath
Performer 1: Counting!!
Performer 2: Consuming!!
Performer 3: Consisting!!
All together: Co ----------------------- o -------------------- w !!!
Performer 2: Cows are heterotrophs, consumers in our ecosystem. There are currently approximately 1.3 to 1.5 billion cows grazing, sleeping, and chewing their cud at any given time on planet Earth. These 1,300 pound animals eat a lot. Much like humans, when they eat, gas builds up inside of their guts and has to be expelled.
Performer 1: Rapid production of co2!
Performer 3: This mountain is the technology, absorbing the gas from the tourists.
All together: Hu ----- ma -----------------------------------an!!!!!
Performer 3: We don't seem to remember what we have digested. and what we are made out of.
Performer 1: Slow cancelation of human!
Performer 2: Here, the joys of consumption remain ambivalent, pleasure eating itself.
Performer 1: There’s a cruelty we cannot handle and a generosity we cannot begin to digest.
Performer 3: This conflicted feelings stay in my belly, our metabolism forgot us.
Our Metabolism forgot us
What happens when our old anatomy meets new technology, our body that is constant moves of creation and consumption? Due to those inevitable services and automatic performances, can we understand technology and its promises in parallel to our own metabolism? There is no other language that can convey this rather than pointing right here and now, through dealing with material presence and following its movement in space.
In my sculpture, drawing is an action to find the directions and dimensions between things -- To make abstract conjunctions between the temporalities until the moment of re-evaluation arrives in the future. Sculpture is a reserved intelligence for the void that language cannot fill.